This page is something of a personal expose, but it does reveal how passionate our team at the-freelance-editor is about the work we do—for you.
History has been a passion of mine, personally, since I was old enough to sit around “the grown-up table” at holiday dinners and listen to memories that introduced conversation and involvement to the room, along with smiles, outright guffaws—and an occasional tear. At family reunions, I was the kid on the porch with the storytellers or the one on the grass beside the oldtimers under the shade tree. I’ve never outgrown that passion; in fact, it has grown into a continuing interest in learning and teaching history.
“But, that’s not ‘real’ history!”
While my passion and interest in history never waned, I sometimes wondered why I was fascinated by it. After all, I was often made to realize I didn’t have much interest in the scholarly aspects that my teachers, professors, and colleagues called “real” history—they were much more interested in me learning the names of kings and queens, the dates of battles in wars, and the number of people injured in certain disasters and events.
Rather, as I discussed in an old post, The “fiction” in historical fiction; and the why, I was more interested in the part of the story that history books seldom touched on; the part that related why what happened, happened. In my mind, the “story” in history was—not instead of the facts, the people, the event, or the place but in addition to—the why and the how, the underlying (and frequently socially based) reasons and explanations for what happened.
Editing nonfiction materials: “real” history
To tell the truth, trying to uncover the why and the how actually requires knowing “real” history even more completely. Fortunately, I had good history teachers all through school who made history interesting, even if I did have to learn names, dates, and numbers! My knowledge of American history helped me serve as historical editor and even ghostwriter on several projects. Being in the right places at the right times also occasionally allowed me to work specifically on regional histories (especially histories related to the old Northwest Territory and locations along the mid-Atlantic coast) and on local histories of towns, counties, and parts of states.
While I enjoy editing “real” history for nonfiction works, I’ve also come to focus on two special, historical niches over the years:
Interestingly, editing either of these genres allows me to make even more use of my particular interest in history than a purely historical—“real” history, that is—look sometimes can and can result in a deeper, richer look at history. After all, in my opinion, the stories of the why’s and the how’s—combined with the facts, the persons, the events, and the places—help to convey what I prefer to think is real history.
Do you have a piece of history-themed nonfiction (or history-based fiction) that you’d like our team to edit? Then, let’s work together to pass along the whole picture of what happened . . .
the-history-editor is a division of the-freelance-editor.com, where we work with our clients to help them say what they want to say to the audience they want to reach.
If you still have questions or concerns after exploring our site or if you’re ready to see how we can work together to reach your goals, contact us—whenever you’re ready.
the online home of
As a professional freelance
editor (which means my services
are for hire by any person or
organization that needs them),
my goal, and the goal of my team,
is to collaborate with
you—the author, the originator,
the content writer—to reach your
(1) to say what you want to say
to the audience you want to reach
(2) to have your readers
concentrate on your message,
not your mistakes.
So, get in touch—you won’t
know how we can help you and
your team until you do!
or email or text, or
some other standard method
by facebook messenger